LOUCIA MANOPOULOU
Collaboration, Connection, Collision
6 May - 6 June 2017
​
West Dean College
Contemporary makers have brought to the surfacethe synthesis of the senses, by evolving improvisation, experimentation and innovation.
Crafts are seen as interactions or results between the maker the viewer and the intangible concept.
Music and crafts imply physical relations in order to be experienced; their distinctive essences are always affected by the spaces within which they are displayed or performed.
The exhibition considers the fusion and interrelation of music, art and crafts, showcasing the impact of different approaches as concepts, and experiments in crafts practice, and raises questions about the relevance of both context and content.
It explores the multi-sensual experiences, and reflects on the visual, auditory, olfactory and tactile components of the artwork.
Ceramics Position 6 describes an nonexisting 6th ballet position in classical ballet training. The work takes on an abstract figurative representation, offering a narrative around the politics of intimacy and the complexities of relationship. your image.
Textiles Field Notes, is an alternative approach to the interrelation of music with crafts, combining the principles of Art and Craft movement with the music revolution of the 60’s to unconventionally fuse individualism and improvisation
Glass Shelley James’s practice explores the themes of perception and reality from a personal viewpoint.
Ceramics Position 6 describes an nonexisting 6th ballet position in classical ballet training. The work takes on an abstract figurative representation, offering a narrative around the politics of intimacy and the complexities of relationship. your image.